Artists & War
"To criticize the government is the highest act of patriotism. The role of the artist in times like ours is to help facilitate a skepticism, to transcend conventional wisdom . . . the word of the establishment . . . to go beyond and escape what is handed down by government and what is said in the media."*
—Howard Zinn in his book Artists in Times of War
Many generations have been fortunate in America not to have the scourge of war in our cities and towns, ravaging historical buildings, uprooting families and destroying the infrastructure of our communities. We watch war in the comfort of our living rooms on TV. War is destructive; the antithesis of artistic creativity. In 1937 France, Hitler selected a small hamlet in Spain for target practice; highly explosive, incendiary bombs were dropped for over three hours. The village burned for three days and 1600 people were victimized. Pablo Picasso was so horrified by the B&W photos he saw in French newspapers where he lived, he filled one wall of the pavillion at the World’s Fair in Paris with his anguish. It was a commission he had for some time without inspiration; and the subject matter was probably not what his sponsors expected. Guernica was the name of the village, and through his heart-rending canvas, you can experience his anguish long after the man himself has passed. THAT is the power of art, not the jibberish you see on TV.
Speaker Nancy Pelosi says she thinks the American public is losing faith in Congress because of the war. She’s right, we are tired of the war. But more importantly, we are tired of Congress taking care of itself before it takes care of more pressing concerns like the homeless, the hungry, the high costs of education, the rising price of energy, the nearly impossible costs of healthcare in addition to the
burden of sending their future—their sons and daughters—to face sudden death in a foreign land. Congress quietly gave itself another $3000 raise; I still haven’t recovered from hearing Senator Orrin Hatch (R-Utah) justify his $140,000 salary (plus a myriad of manicures, haircuts, healthcare benefits, and a pension that would make a working man blush) by saying his job was the same as the Chief Executive Officer of a corporation; and we all know how most Americans view the exorbitant salaries of CEOs. Looking down from such a lofty perch, the rift is growing between the working class and Washington D.C.’s ruling class.
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I am a patriot, and firmly believe in our democracy. But lately, I wonder if the people entrusted to fulfill our Founding Father’s intentions are more concerned with lining their own pockets than working on our behalf ( a close look at the delay involving the Net Neutrality legislation tells an interesting story about lobbyists filling politician's coffers). More often than I care to count, Senators and Representatives appear on the news saying, “I’m grateful for the votes of my constituents and promise to do what I think is right when I get to Washington.” Unfortunately, that’s not their prime directive. Our representatives are elected and sent to Washington to represent the views and opinions of the people in their constituency; not to do what he or she thinks is right. When congressmen and women forget this very important duty, they forget the fiber of the country’s weave. They forget the founders fled an overburdening tax in the presence of under representation in Great Britain’s government. Representation is key and without it, government becomes parasitic.
The recent widespread Tribal Casino & lobbyist scandal, the Representative from Lousiana filmed taking cash bribes who was found with $80,000 in his freezer, the quiet, almost secretive raises for Congress, the stories of fighting men without proper gear, the piss-poor healthcare facilities and services for returning vets, the lack of follow-through after Katrina devastated the Gulf Coast, an Attorney General with a short term memory problem rivaling a pothead, and the fact that only millionaires can run for President are all reasons the American public has had it with the ruling class. So, no, Nancy Pelosi, it’s not just the war. It’s bigger than that.
The sad thing is whether it’s Democratic, Republican, Independent or Libertarian—inserting a new set of elected officials into a corrupt and complacent system probably won’t create change. Just like in painting, we all need to step back and get a good look at the big picture. Like they say in painting class, everything can change.
*Quotation courtesy of Douglas Eby and his excellent site,
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Not my thoughts, but accurate to this day.
"There is good news from Washington today. Congress is deadlocked and can't act."
Will Rogers (1879-1935)
Source: 1962 in Saturday Review
"There ain't no ticks like poly-ticks. Bloodsuckers all."
Davy Crockett
To stand in front of Picasso's painting of Guernica at the "Queen Sophie," El Museo Nacional Centro de Arte Reina Sofía in Madrid, has been one of my life's most moving moments. Despite the number of times I'd seen reproductions and homages, nothing beat the power and magnitude of the original.
It is stunning now, and stunning when it was painted in 1937.
It did not prevent anything - only shocked the "Western World." In December of the same year, the Imperial Japanese Army began the Rape of Nanking: Japanese troops would slaughter over 250,000 civilians and prisoners over three months. No artist created a painting for the victims of this massacre.
Yet art does have the power to move people to action. We may believe this but we don't yet have an artist who can move the mass of the American people to make significant changes in our political infrastructure. Instead, we get snapshots which affect some us to one degree or another, incrementally. Minutely.
The observable phenomenon is that, mainly, Americans don't really want to throw the rascals out - just switch them around from time to time.
It will take a major social crisis (and not the war in Iraq) to move the people to anger, to encourage the people to hold its representatives strictly accountable.
Personally, Susan, I think that issue will be healthcare. Though I'd like to think that it will be the environment, you'll note that the media's concentration on money-raising is pernicious. Why? Because journalists want measurements, "factoids" that can be used as the basis for opinions. This approach is a substitute for searching examinations of candidates' beliefs and platforms.
Americans don't think "big picture" (despite CEOs peppering their speeches with this phrase). All the news, all the time, means we concentrate on the minutiae of daily life.
Step back. Step back and take a good, quiet, long look at America and the World.
When we live in a world in which every four seconds someone dies of hunger, perhaps even the concerns of design come into question.
As the gap widens between the haves and the have-nots, we see an attitude developing that is reminiscent of the nobility versus the
peasants in the 1700's. The idea that the peasants were the property of the nobility gave rise to the Peasant Revolt, the French
Revolution, and other upheavals of that period. It was this attitude that led to the American Revolution. I often wonder if this same attitude will lead to a Second American Revolution or if the nobility (the wealthy) in this country will recognize the problem and do something about it before it grows out of control. If we end up with only two classifications of people in this country, the wealthy and the poor (the upper class and the lower class) with no middle class, the country will collapse as others have in the past.
Only if we maintain and encourage a middle class will this country grow and prosper.
Wow. It's the duty of all artists, fine and graphic (in case there is a a distinction) to remember, make aware, alert and illustrate truth. Thanks to Pablo, we will always remember the horrors at Guernica. I had no idea this had happened before I saw the painting.
News reports fade quickly and newspapers get thrown out, but it's the artist that keeps the things that need to be remembered in the minds of future generations.