There's something intriguing about a daily, self-imposed task that imposes formal constraints but which is flexible enough that creative exploration is possible. More than possible—the work is actually stimulated by the rigors of the premise. Luc Grateau's paintings of commuters rendered on Paris subway tickets are a perfect example. And closer to home is Stefan G. Bucher's playful series of Daily Monsters, which recently concluded with number 200.

I was so wrong...

 In recent posts, I have provided tips for designers wishing to take on copywriting assignments, in addition to their usual design projects.

So far we have covered the briefing meeting, conceptualizing marketing collateral, drafting copy, grabbing the reader's attention, and writing in an engaging style. This week I'll reveal some basic tips to improve the selling power of your copy.

While Napoleon wasn't thinking of the rough and tumble world of the inventor when he uttered these words, history has failed to acknowledge the seminal work of more than one bright spark. But sometimes the record is set straight.

The feature, "The Man in The Irony Mask" by Natalia Ilyin, is one of the most interesting design articles I've read in a long time...

That's right, we're talking to you. Yes you, the one who visits the Graphics.com Network blogs regularly to glean pearls of wisdom from the dedicated blogging team. You've learnt much, haven't you? You've been the beneficiary of our collective insights, correct? And yet, have you taken the time to acknowledge our ceaseless efforts on your behalf, even once? Well, have you? We thought not. Well, buster, we've had enough of your kind. So get typing. Now. We have your IP address, we know where you live. So when fuzzball here gets it, expect a Fed Ex package with the gruesome remains. That's right, the demise of the old fleabag will be on your hands. There's just one way out of this dilemma—type, type like the wind. What are you waiting for? Post that comment! We are not kidding.

We humans are a strange breed. Throughout our history we've managed to bring forth engineering projects on a staggering scale, such as The Great Wall of China. Graceful structures spanning continents and millenia testify to the ancient beliefs and aesthetic refinement of cultures that could have much to teach us. The backdrop for these marvels of human ingenuity is the natural wonder of the Earth itself, at one time a source of spiritual and material sustenance. But rather than cherishing all this, we have systematically destroyed the best of what we have inherited from those who came before, either through neglect, greed or intolerance. And what little remains, is going fast.